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This is a project I did for Contemporary Issues in Printmaking’s first studio project. 

It is an edition of approximately 600 screenprinted ‘receipts’ examining the issue of elitism and de-valuing art, as well as the benefits of distribution and mass production.
Half of the prints are separated like receipts, half remain on a roll, as if ready to be packaged and sold to be distributed elsewhere. 

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    Really clever, good take...how the commercial world can
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